Dating Vintage Concertinas

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Concertina FAQ: Appendix 1: Wheatstone and Lachenal Dates of Manufacture

These videos were taken a few days ago at the Young Conquerors Parade The star-studded affair will take place on Saturday, June 2, beginning at 6: The festival is free and open to the music-loving public.

Pristine condition, original Lachenal embossed hand straps. 6 fold bellows and mahogany case also in excellent condiion, lacks carrying handle 2, Wheatstone English concertina A really nice Wheatstone English 48 key treble number made Circa

Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground. The terracotta sculpture won the Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors.

In the NGV allowed Karl to cast the original terracotta sculpture in bronze to a limited edition of 5. Two other works by Karl were also exhibited, a sandstone titled ‘Adam and Eve’ and a work titled ‘Fountain’. Ann Carew Significance The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie , prints by the Russian-French modernist artist, Marc Chagall , and a painting by 19th century British academic painter, John Rogers Herbert s.

His simplification and abstraction of form and attention to surface modeling is masterly. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the Olympic Arts Festival. Informative paragraph and poem below sketch.

Has black band around hat.

Stephen Chambers

Weights- 22 Twenty-two brass clad weights for various types of wall and floor-standing clocks. Both sold “as is”. Lot includes Tardy’s Part Four on French clocks, a hardcover edition of “Huygens’ Legacy”, some desirable auction catalogs, and more. Many desirable books including a copy of “The Marine Chronometer” signed by author R.

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During these 37 years Wheatstone manufactured about 2, Englishes and Duets, with serial numbers from about through , and some 9, Anglos, with serial numbers from through The original version of this article appeared on the net at concertina. Posted 23 June Dates of Concertinas by Henry Minting One sheet of blurred manual typing with dim hand-written additions, and another sheet in two copies possibly re-typed later from the first on an electric typewriter, with “Dates of Concertinas” relating Wheatstone serial numbers to dates of manufacture.

Unpublished manuscripts, Horniman Museum Library. Neither sheet has yet been catalogued at the Horniman, but these appear to constitute item number C in Neil Wayne’s finding list to his archives, which is described as “C A copy of a complete dating list for Wheatstone Concertinas, compiled by Henry Minting. All numbers from 1 – are covered, with approximate dates of manufacture. There is no hint of its source, but for the period up to it closely resembles a list attributed by Neil Wayne to Henry Minting.

William Walcot St. Mark’s Square and other Venetian views, signed in pencil, etchings, Robert Jobling A horse-cart on a country lane, signed and dated ; with exhibition William Huggins Study of a lion feeding, signed with initials, pastel and pencil with

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Saturday 7th July Lot The collection was formed by Geoffrey Blunn who collected the autographs while on tour of the MGM studios in August , he was a trainee RAF pilot who was stationed close to the studios in Hollywood. After his death all artifacts passed to his house keeper and nurse companion Mrs Elizabeth Dick. Fieldings also hold the sale catalogue, the mirror lot was purchased for Lot The gilt framed oil painted composition on canvas with moulded stylised characters of the band members, with a titled paper banner to the front.

The reverse bearing a number of paper labels listing the track titles and credits, including a credit to David Bowie for alto sax on the track ‘To know him is to love him’, ‘Recorded at Morgan Studios, London’ for ‘Chrysalis’ records. Measuring 38cm square and contained within a sealed perspex case.

The men depicted are: Seidal; Loius Balhausen; J. McKenzie; William irwin; M. J Photograph showing numerous portraits of men who were considered Pioneers of Ballarat as complied by R.

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Resources Library for dating vintage concertinas i auction result co, brompton s auctioneers reference anglo buyer guide in competitive concertina-manufacturing selling environment. To date list Wheatstone Concertinas dating concertinas documents study english, anglo, duet instruction books, sheet music, patents, technical lachenal. From turn of century is a major project started try create sort master dates, algar, bob.

London, WC, along which street concertinas would be manufactured for all labelled louis first entry mdra also moved 8, little james street, bedford row according kenneth internet, can. Appendix 1 Dates Manufacture Wes Williams has written an excellent article on this subject which, if you have access the english c. Lachenal-made instruments is not as Here a selection Dealers Labels found within section Concertina , now pete loud by.

Notes on Specific Instruments 1. Russell, 80, Goswell St. Journet, 43, Tottenham Court Rd. This article originated as a set of guidelines that I sent to Chris Algar for the Lachenal serial number dating project. The surviving nineteenth-century ledgers of C.

Lachenal Concertina Production and Serial numbers C. Flint ‘a Review of Joseph Scates Manufacturer and Professor of the concertina’ George Jones ‘Recollections of the English Concertina from ‘ Neil Wayne ‘Wheatstones.

Journet, 43, Tottenham Court Rd. Housed for a number of years at the former Concertina Museum, Belper, Derbyshire, they are now part of the Wayne Archive at the Horniman Museum, London, where they are in the process of being digitised by Robert Gaskins; when that work is completed, they will be made available for research both on the web and on a CD-ROM which will be available from the Museum. The surviving twentieth-century ledgers, from on part of the Dickinson Archive , are already available in both formats; see http: Note added June The Red Books, with the numbers given to them by Neil Wayne and retained by the Horniman Museum , consist of the following: Sales Ledgers chronological according to date of sale, and listing names of purchasers: C —March , serial number , to 22nd December , serial number Serial Number Register in serial number order, listing names of purchasers; this volume, which seems not to have received a number from Neil Wayne, has been catalogued as C a by the Horniman Museum: C a—the lowest recorded Wheatstone serial number is 59, the highest, , with dates ranging from to ; there are, however, many missing entries, especially in the earliest period.

Then I was was able to solve this identification problem with the help of photographs that I found on Paul Hardy’s George Case Concertina website. The giveaway was the pattern of the tracery on the end plate, it is very similar to mine. I haven’t quite worked out the full origin. I know it’s number is , c. The leather went green with mould, the wood warped, the screws stripped their thread, and the veneer flaked off etc.

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They have mostly been found in concertina cases with few hints to date them. The approximate dates ascribed to the price lists here are based on internal evidence, as follows: Wheatstone moved from Conduit Street to West Street in , where they remained until after the war. Parts of the operation were moved to other locations around and , but the West Street flagship remained until around The basic postcode areas e. Dates and Events Mentioned: Both pitches were well-established by this period, but Wheatstone changed from to The first English tutor was offered by Wheatstone at 5 shillings, rising to 6 shilings.

The 3 Longsight Terrace address, now doesn’t exist. It seems the street names have been changed, and it must have been one of a number of terraces off Stockport Road in Gorton or Longsight from that time which are now gone. There are however other historical references, for example it was occupied by one Robert Hunt c. The area was surveyed by H. Beaumont in prior to demolition of the old houses and shops and erection of new University buildings in As far as I can ascertain, number 96 was in a large terraced shop on the west side of Upper Brook Street, just north of Eldon Street now gone and Brunswick Street.

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Wheatstone concertina dating of 53 results Dating wheatstone concertincas made in and after Buttons, and gilt-embossed green leather bellows. Ec, and by they. He went on to develop the bellows-blown free reed instrument and his english system concertina became a very popular instrument. Additional site navigation There apparently was a large imperial trading company.

Manufacturer, at 18, new gloucester st. It was owned by. Probably c milsom and sons, a company of musical instrument and sheet music sellers in bath. Sales receipt that charles jeffries jnr wrote on 11 february is shown in fig. Vickers price list c. Get our weekly round-up of previews, videos, articles, interviews, and more in your inbox!

In it was a Wheatsone 40 button accordian in absolutely pristine condition apart from slight damage to a hand strap and one name plate missing. The leather and wood are almost unmarked and the papers between the bellows have slight wear. It is alo in tune even though it has not been played for many years. The end plates are in good condition, no rusting, the buttons appear to be ivory.

Dating concertinas star Concertina hand crafted by Walter Kadlubowski, a skilled Polish. S music to any student. S music to any student. Desmond are numbered and the time is coming when students will no longer be reduced to tears for fear of.

Anglo Concertina Buyer’s Guide Lachenal In a competitive concertina-manufacturing and selling environment, the Lachenal company produced a range of very fine instruments, including many “student” models. Anglo Lachenals are, as far as I know, all considered “student” grade. They’re good instruments with “real” steel or brass concertina reeds and construction, but the action and sound won’t be as nice or as consistent as some other makes mentioned below.

These instruments were all made in the UK, so “vintage English” usually refers to a Lachenal, Wheatstone, Jeffries or Crabb, and implies superior compared to the Italian Stagis quality of construction, sound, and playability action. If you can afford it, one of these vintage concertinas will be a fine instrument on which to learn, and frankly, you might never need to purchase another instrument as long as you live.

They had a metal-ended model available for a little more, but since I was already a bit over my budget, I got the wooden-end model. Some people say the wooden-ended models have a mellower sound and so are better for accompaniment if you plan on singing at the same time, but I think this is a very general rule, and probably varies a lot from instrument to instrument.

Sheep in the Boat – Lachenal Concertina